Concert Programs

Robert Schumann’s Carnaval for piano quartet

One of the first programs we devised explores the personal and artistic ties between one of music history's most beloved trio of friends: Clara Schumann, Robert Schumann, and Johannes Brahms.

Pulcinella for Piano Quartet

Usually we try to reimagine works that have never been arranged before. However, in this case we are revisiting a neoclassical masterpiece by Stravinsky, exploring its rich tradition of re-orchestration.

La Belle Époque: Debussy, Ravel, and Beyond

A genre-bending, all-string project exploring the legacies of France’s best-known composers. In this extensive project, we explore a series of programs spanning jazz, medieval, romantic styles and many more. And just in time for Ravel and Samuel Coleridge-Taylor’s joint 150th!

Stravinsky’s Petrouchka: Ballet for Ensemble

Ever thought a ballet could be performed with five musicians? Neither did we, until Sam came out with his newest arrangement of Igor Stravinsky's Petrouchka.

Beethoven’s Triple: Chamber Music or Concerto?

Ludwig van Beethoven combined two of the most exciting musical ensembles, piano trio and orchestra, in his Triple Concerto, Op. 56. We took this energetic combination and created our own unique chamber music rendition!

Death & transfiguration: strauss reborn

One of e132’s most ambitious projects yet, Strauss’ breathtaking tone poem is reimagined in a unique instrumentation featuring two cellos, violin, viola, and piano.

Keyboard kaleidoscope

A polychromatic program featuring arrangements of works originally for two pianos by Ravel and Rachmaninoff. Fauré’s C Minor Piano Quintet concludes the program.